The Mahābhārata
The Mahābhārata has been called an epic, perhaps a "library" would more accurately portray the vast array of poetry, stories, incantations, metaphysics, philosophy, violence, love, purity, impurity, the divine, the devas, the Snakes, the battles, the Pāndavas, and perhaps much of human experience itself for many people throughout time. A vast work, that I approach for the first time like a jungle, having only read portions before in the form of the Bhagavad-Gita, the Anugita, and the Sanatsugitaya. The preface, introduction, translation and editing was performed by J.A.B. van Buitenen.




The Sanatsugatiya constitutes a portion of the Mahabharata as well as its own separate work. This work is certainly not as well known or as popular as the Bhagavad-Gita. It is a literary follow-up however to the Bhagavad-Gita, and picks up the thread of the narrative in this national Hindi Epic in a grand fashion. It is a very short work, amounting to only a few chapters and perhaps some hundred pages. Dialogue is one of the favorite motifs, or vehicles, for the writers of the Mahabharata. In this way, the works are somewhat similar to the works we find in Plato, and other philosophical writings that use a dialogue or story format in order to convey the essence of their message. This particular dialogue follows that schematic for conversation with questions and answers issued with great authority.




